High-Rise
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.IBook cover art for JG Ballard's High-Rise (1975), Crash (1973), and The Crystal World (1966). Used images believed to be in the public domain.

“A new social type was being created by the apartment building, a cool, unemotional personality impervious to the psychological pressures of high-rise life, with minimal needs for privacy, who thrived like an advanced species of machine in the neutral atmosphere. This was the sort of resident who was content to do nothing but sit in his over-priced apartment, watch television with the sound turned down, and wait for his neighbours to make a mistake.”

Crash
——

.II“We live in a world ruled by fictions of every kind—mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.”

The Crystal World

.III“As more and more time leaks away, the process of super-saturation continues, the original atoms and molecules producing spatial replicas of themselves, substance without mass, in an attempt to increase their foothold upon existence. The process is theoretically without end, and it may be possible for a single atom to produce an infinite number of duplicates of itself, and so fill the entire universe, from which simultaneously all time is expired, an ultimate macrocosmic zero beyond the wildest dreams of Plato and Democritus.”

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